Production Manager Position Open – Ananya Dance Theatre

Ananya Dance Theatre seeks an experienced Production Manager with a heart for social justice; on an ongoing basis to coordinate and run the technical aspects of our dance theatre performances and workshops, at home and on tour. We are ready to build a recurring annual relationship that can grow with the company’s needs and the successful candidate’s desires for their future. 

Annual Schedule and Rate:

  • Extended collaborative creation of new work: January-September.
  • Annual premiere of approximately 90-minute work: September/October (in Saint Paul).
  • Entire company on break: December of each year.
  • Ongoing touring engagements: January-November. Likely 2-3 engagements over the course of the year. Most engagements will be 3-5 days, though one might be a week or more. Touring opportunities are always emerging, though we always have 2-3 months’ notice minimum, and we work through our company members’ non-ADT commitments.
  • Estimated annual hours (to be scheduled as needed, heavily weighted towards September, includes touring): 300
  • This is an hourly “Work For Hire” annual contract. Rate is $25/hour commensurate with experience. Touring rate is $150/day (expenses paid by ADT).

Duties include:

  • Scheduling and facilitating meetings with designers/collaborators during extended collaborative process (January-September, annually).
  • Attending occasional rehearsals to be familiar with the work and facilitate the details of collaborative decisions. Occasional in January to fully engaged in September. Rehearsals are evenings and weekends at our studio in Saint Paul, except for tech week.
  • Representing ADT to work effectively with venue production crews at the O’Shaughnessy for the premiere and on tour.
  • Calling or running lights/sound/backstage for performances. Dependant on venue – some provide staff, others may require you to run Qlab yourself. While you will not need to program lighting, sound, or video cues, you may need to troubleshoot. Annual Fall premiere at the O’Shaughnessy and intermittent touring throughout January-November.
  • Coordinating and communicating schedule and logistics including transportation and lodging for all live engagements to dancers, venue/community host, technical staff, etc.
  • Our next full production is MICHHIL AMRA!: WE ARE THE PROCESSION!, premiering September 22-23, 2023 at The O’Shaughnessy at Saint Catherine University. This work is currently in creation/rehearsal.

Requirements:

  • Basic knowledge of Qlab.
  • Experience with calling and running a live performance in dance, theatre, multidisciplinary, corporate events, etc.
  • Basic management experience, including motivating, problem-solving, and delegating.
  • Demonstrated ability to manage complex schedules and needs among 7-10 artist collaborators plus 12 company dancers.
  • Demonstrated ability to communicate effectively verbally and in writing.
  • Nimble mind; the ability to project calm into complex and time-pressured situations such as during live performances; a joyful work ethic.
  • Full availability for tech week and the premiere of MICHHIL in September 2023.
  • Available to tour internationally during the week following the premiere, September 27-October 6.

Cherry on top:

  • Experience and/or leadership in social justice community work.
  • Strong interpersonal management experience.
  • Background in anti-racist, anti-misogyny, and liberation work.
  • Background and/or demonstrated interest in dance.
  • Bachelor’s degree (in any field).
  • Current driver’s license.
  • Current passport and international travel experience.

Ananya Dance Theatre is committed to the full community inclusion of all people who live at all intersections of identity and experience; this role does not assume the absence of disability. If this role speaks to you, we strongly encourage you to apply. 

Ananya Dance Theatre is a company of BIPOC women and femme artists who create original dance theatre at the intersection of artistic excellence and social justice. We premiere one major new work annually with original music, and offer workshops, dialogues, classes, and performances at home and on tour. We call audiences to join us in movement, dialogue, and action driven by shared humanity. Our work invites audiences to participate in our strategy of #occupydance, the movement of dancing as civic action. We conjure dance as a liberatory practice, a methodology for a just world, and a space where BIPOC women and femmes can belong and thrive. For more information, please visit our website www.ananyadance.org.

Please express your interest with the following:

  • A one-page letter detailing your relevant experience and interest in the role.
  • A resume (if available; if not, a chronological list of your experiences).
  • Please respond to Jennie Ward, Managing Director (she/her) at jennie.ward@ananyadancetheatre.org. Please put “ATTN: PROD MGR” in the subject line. Review of submissions will begin Monday, May 1 and will continue until the position is filled.

TU Dance Center: Accompanists Needed

TU Dance Center is seeking accompanists for Modern, Ballet, and African Dance classes!

Preferred times:
Mornings, 9:30-11:00am
Evenings, 4:30-9:00pm (any hours within timeframe)

Rate: $24/hour
Free parking.

If you or someone you know are interested, please contact info@tudance.org.

Thank you!

Movement as Language Seeks Collaborating Artists

Movement as Language poster, featuring a blue sky with a crescent moon and three white geese flying overhead

As part of Dance Projects by ME’s 2023 Movement as Language program, five community members will join teaching staff and professional artists Aneka McMullen, Non Edwards, Carmen “Meli” Lucia Lincoln, and Erika Martin to collaborate on a new production at the Southern Theater June 16-17, 2023.

To be considered as a collaborating artist, register for and attend one of the three free Movement as Language workshops this April:

Workshop 1: April 14-15
CM’s Fitness and Dance
6706 Penn Ave S, Richfield, MN 55423
Day 1: Friday, April 14, 6:00-8:00pm
Day 2: Saturday, April 15, 12:30-3:30pm
Free street parking is available.
Register

Workshop 2: April 22-23
The Shawngrām Institute for Performance and Social Justice
1197 University Ave W, St Paul, MN 55104
Day 1: Saturday, April 22, 3:30-5:30pm
Day 2: Sunday, April 23, 10:30am-1:30pm
Limited free parking is available.
Register

Workshop 3: April 28-29
Zorongo Flamenco
3715 Minnehaha Ave S, Minneapolis, MN 55406
Day 1: Friday, April 28, 6:00-8:00pm
Day 2: Saturday, April 29, 3:00-6:00pm
Street parking is available on 37th Ave and surrounding streets.
Register

All workshop participants who are interested are invited to apply to join this creative process! These artist positions are paid. BIPOC, LGBTQ+, ESL, and community members with disabilities are encouraged to participate. No dance experience required.

James Sewell Ballet Audition Notice

James Sewell Ballet (JSB) is seeking dancers for both project and full contract work in the 2023/24 season.

JSB currently consists of six dancers willing to challenge their physical limits, perform a range of emotions, and play with the boundaries of ballet. The company rehearses in Minneapolis, MN, and performs three full programs a year, in addition to other outreach and touring engagements. Choreographic and teaching opportunities regularly exist throughout the season.

Dancers well suited for this job will:

  • Have excellent ballet technique and contemporary movement.
  • Have strong improvisational skills, or minimally an eagerness to learn.
  • Have good partnering knowledge and ability, including sustained overhead lifts for men and ability to weight-share for all.
  • Enjoy teaching opportunities that include company classes and outreach with all ages.
  • Be enthusiastic about actively participating in the creative process.
  • Bring individual competitiveness and interest in growing as an artist, and excitement to be a part of a small, cooperative team.

JSB offers 26-30-week competitive contracts. Starting salary is no less than $700 per week for a full-contract position. The mission of James Sewell Ballet is to transform dance, artists, and audiences through rich collaboration, education, and equitable opportunities.

Audition is by invitation only. To be considered, please send your resume, headshot, and a video link to deirdre@jsballet.org.

Ray Terrill Dance Group – Seeking Dancer

RTDG is a multi-generational contemporary dance company seeking an experienced, classically training dancer for upcoming July 2023 paid performances.

Must be comfortable performing full out within an ensemble.
Rehearsal commitment of 2 hours per week, occurring within the Twin Cities metro area.

Please contact Artistic Director Ray Terrill to schedule an interview.

Alexandra Bodnarchuk Presents Rock, Paper, Scissors – Virtual Edition

Alexandra Bodnarchuk presents Rock, Paper, Scissors (RPS) – Virtual Edition, an evening-length contemporary dance duet filmed and edited by Tamara Ober, available April 14-May 12!

From the audience:
“The performers were marvelous, individually and together. I believed because they believed.”
“Honestly, I thought about the show for a week.”
“Star dance was tender and so special and cried from laughing at the 40 stitches bit.”

About the work:
RPS explores the generational passing down of rules and customs of our bodies. What traditions do we choose to pass down? Which rules will we break?

Situated on a set comprised of a floor and two opposing walls, Alexandra uses text, play, and contemporary phrase work to draw inspiration from her heritage and create a surreal playground of problem-solving.

This work features dancers Nieya Amezquita and Sarah McCullough, sound design by Brandon Anderson Musser, with directorial and dramaturgical support by Marcela Michelle.

Price: $0-$50

This work has been supported in part by the Ann and Weston Hicks Choreography Fellowship at Jacob’s Pillow under the direction of Dianne McIntyre and Risa Steinberg, and mentorship of Andrea Miller and Abby Zbikowski.

Flying Foot Forum’s 30th Anniversary Concerts – Final Weekend

Joe Chvala and the Flying Foot Forum celebrate 30 years of creating vibrant, bold, and deeply creative works; fusing percussive dance and music to tell unusual tales, create a wild variety of characters, and explore universal ideas in inventive and exciting ways. Joined by powerhouse guest artists Patricia Brown (AfroFusion), Susana Di Palma (Zorongo Flamenco), and Clayton Schanilec (Old Time fiddler and Appalachian clogger), FFF brings a panoply of repertory pieces and exciting new collaborations, as well as letting us get a peek at their award-winning short films! Recommended for ages 8 and up.

Runs April 13-23, 2023

Tickets: $33
Discounts for seniors, students, educators, and more.

Black Label Movement Presents Wreck

Black Label Movement celebrates the 15th anniversary of Carl Flink and Mary Ellen Childs’ award-winning, evening-length work Wreck, which explores how a group of 13 people trapped in the last watertight compartment of a sinking ship respond to their harrowing situation.

The work features Flink and Black Label Movement’s signature driving and deeply human choreography, Childs’ glorious and mysterious original score, and a live onstage musical ensemble led by Pat O’Keefe.

Friday, April 21 at 7:30pm
Saturday, April 22 at 7:30pm
Sunday, April 23 at 2:00pm

Tickets to all performances are “Pay as You Are,” with tickets as low as $5!

7th Annual CANDY BOX Dance Festival

ARENA DANCES presents the seventh annual CANDY BOX Dance Festival, Minnesota’s only dance festival with a dynamic sampling of great dance artists featuring performances, master classes, and public showings wrapped all in one week. This year’s festival features the work of local Twin Cities artists Berit Ahlgren of HoneyWorks and Megan Mayer, with a warm welcome to Chicago-based artist J’Sun Howard with a National Performance Network co-commission to headline.

Featured Artist Performances
Thursday, April 27 at 7:30pm
Friday, April 28 at 7:30pm
Saturday, April 29 at 7:30pm
Saturday, April 29 at 2:00pm – Pay-As-Able pricing option available only at the door.

Get your tickets:
Purchase before April 23: $21; $18 student/senior
After April 23: $25 online and at the door; $18 student/senior discount with inquiry.

Happy Hour Artists
Monday-Friday, 5:30-6:30pm
Monday, April 24 – Nic Lincoln
Tuesday, April 25 – Cheng Xiong and Javan Mngrezzo
Wednesday, April 26 – Shane Larson and Rachel Lieberman
Thursday, April 27 – Laurie Van Wieren
Friday, April 28 – Lily Conforti

Tickets: $12 per show or $25 for five-show package.
Walk-ins welcome. Cash/check/card accepted at the door.
All Happy Hour ticket income and donations go directly to the artists.

Master Classes
Monday-Friday, 4:00-5:15. See our post under Workshops!

More information!

The State Ballet of Georgia

Concerto Barocco, George Balanchine
Mozartiana, George Balanchine
Sagalobeli, Yuri Possokhov

Following a pandemic-induced postponement, and their gorgeous Northrop Centennial Commissioned film, Northrop is pleased to present the much-anticipated return of The State Ballet of Georgia. The company has soared under the bold artistic direction of international ballet star Nina Ananiashvili (former prima ballerina with Bolshoi Ballet, The Royal Ballet, and American Ballet Theatre) who leads these stunning dancers in a program that includes two works by the great Georgian-American, George Balanchine. Created for the company by the Ukrainian-born dancer and international choreographer, Yuri Possokhov, Sagalobeli is the rousing finale to an evening graced by the live orchestra led by Music Conductor, Gavriel Heine.

April 26 at 7:30pm