Archive

On-demand November 5-November 12

Select your own price when purchasing ($0-$50). Please note: ticket revenue from this film screening will be shared with the artists.

In-demand choreographer Andrea Miller’s dances emphasize the contrasts of being human—the grotesque and the sublime, the chaos and the elegance, with movement both primal and poetic. Through an innovative creative collaboration with Northrop, Miller’s company, GALLIM, debuted an evocative new dance film adapted from Miller’s 2016 piece BOAT that explores what it looks like, feels like, and means to be searching for home. Featuring the music of Northrop’s pipe organ played by University Organist Dean Billmeyer and the Twin Cities-based PopUp Choir in the score, the film takes viewers on a journey of people becoming undone, floating adrift, holding each other, building bonds, and allowing hope and dignity to grow anew. This on-demand screening will also include a bonus dance film created by Andrea Miller and Ben Stamper with Ballet Hispánico prior to their collaboration on BOAT.

This event will be captioned, with other accessibility services available upon request.

Threads Dance Project emerges from the ashes of the pandemic to celebrate its tenth anniversary, premiering the film Out of the Ashes and new works by 2020 Tapestries Program choreographers Gabby Abram, Jennifer Pray, and Elayna Waxse.

Out of the Ashes honors those impacted by 9/11 and asks whether we can resurrect a better way of living. This film, along with the works premiered by Tapestries program choreographers, emerges Threads anew.

Covid19: Effective September 1, 2021, all visitors to the Cowles who are attending a performance/event in the theater spaces are required to show either proof of a full course of COVID-19 vaccinations administered at least 14 days prior to the show or a negative COVID-19 test taken within 72 hours of the performance/event. Masks are required throughout the Cowles.

Virtual Anti-Racist Dramaturgy session guided by Practice Progress (Kai Hazelwood and Sarah Ashkin). No cost.

This session has been postponed. Please keep your eyes out for the rescheduled event!

WHO is Practice Progress
Sarah Ashkin (she/her) is an educator, choreographer, scholar and trained facilitator committed to dismantling racism. Kai Hazelwood (she/her) is a passionate and experienced choreographer, movement director, performer, educator, producer, and activist. Together, as Practice Progress, they are addressing structural, professional, and interpersonal white supremacy through body learning.

Anti-Racist Dramaturgy – what to expect
Anti-Racist Dramaturgy is offered to creatives of all kinds committed to anti-racist making. This session draws on Kai and Sarah’s dual experience as anti-racist facilitators with Practice Progress and artistic directors of their own respective arts and social justice organizations, Good Trouble Makers, and GROUND SERIES. This event offers makers of all mediums a framework for ongoing anti-racist project design, production, and dramaturgy supported by examples from Kai and Sarah’s extensive practices as arts activists. This session is free to all participants.

Support and Funding
Anti-Racist Dramaturgy is supported by Pillsbury House and “is funded, in part, by Metropolitan Regional Arts Council through an appropriation from the Minnesota State Legislature with money from the State’s general fund.”

Sign up
To be a part of this event, send an email to Sophie or call/text the number below and we will make sure you get the details!

Northrop and Walker Art Center Present
Bill T. Jones/Arnie Zane Company: Afterwardsness
In-person
Carlson Family Stage

Tony Award-winning choreographer, director, and dancer Bill T. Jones continues his longstanding relationship with Northrop and the Walker, presenting his hypnotic new work Afterwardsness. Performed by Jones’ entire company for an audience of 180 situated on the Northrop stage, Afterwardsness addresses the isolation and trauma of the twin pandemics of COVID-19 and on-going violence against Black bodies. The poignancy of the movement is underpinned by a live musical landscape featuring a new vocal composition by Holland Andrews, a violin solo for George Floyd entitled Homage by Pauline Kim Harris, as well as excerpts from Olivier Messaien’s harrowing war-time chamber composition Quartet for the End of Time.

This event will be captioned, with other accessibility services available upon request.